The system of Chinese films integrating Hollywood help is a fair one? Who does it benefit more?

1. Do you think the system of Chinese films integrating Hollywood help is a fair one? Who does it benefit more?
2. Since the way we consume content has changed, do you think Chinese films could find a better market and audience through online platforms like streaming?
3. Should art house Chinese films adopt more Hollywood characteristics of production and marketing while still remaining in a more local scene with avenues like smaller theatres and art festivals?

Su, 2016

1. According to the article, the Chinese government made several initiatives to embrace local film producers over Hollywood films. What intentional approaches did they employ to achieve this objective?
2. Did the approaches yield reasonable fruits for local Chinese artists? If yes, how?
3. What are the major controversial issues brought out in the article, and how do the problems relate to the concepts learnt in the previous materials?