Sweet Dream and Yeongja’s Heyday.
Analyze the 2 films on Korean Hetero-Patriarchy and Class-specific Feminism. It should be focusing on the different forms of defiance of patriarchy given the different background of the main actresses of the 2 film. On the one hand, Aesoon is inside the heteropatriarchy and from a middle-class background. On the other hand, Yeongja is outside the heteropatriarchy system and from working-class status. However, in the end, both of them fail; Aesoon ends up committing suicide and Yeongja ends up having family (conforming to heteropatriarchy).