In the essay “CinemaJldeology/Criticism,” French critics Carmolli and Narboni claim film is always political, categorizing films into several categories according to their political and ideological stance. Where does Kathryn Bigelow’s ‘The Hurt Locker’ fit within the French critics’ rubric, and what is the ideology of the film? Please be sure to define the term “ideology” and indicate the ideology that is being expressed through the film. And cite specific instances (scenes, characters, lines of dialogue) that reflect that ideology. Please cite specific instances where you think the film adheres to complicates/contradicts the dominant ideology?