Exploring Australian National Cinema and Screen Cultures Through “Crocodile Dundee” and “The Babadook”

Australian cinema has a rich and diverse history that reflects the country’s unique cultural identity and landscapes. Two notable films, “Crocodile Dundee” and “The Babadook,” offer contrasting perspectives on Australian national cinema and screen cultures. While “Crocodile Dundee” embodies the stereotypical image of the rugged Australian outback and the charismatic, larger-than-life hero, “The Babadook” subverts traditional horror genre expectations and delves into deeper psychological themes. Both films provide insights into how Australian screen culture has evolved over the years.

“Crocodile Dundee”: Embodying the Australian Outback Myth

“Crocodile Dundee,” a classic Australian comedy released in 1986, follows the adventures of Mick Dundee, a crocodile hunter from the Australian outback. The film portrays the rugged Australian landscape as both beautiful and dangerous, showcasing iconic locations such as the vast wilderness and the Sydney Harbour. Mick Dundee, played by Paul Hogan, embodies the quintessential Australian larrikin – a lovable rogue with a strong sense of humor and resourcefulness.

In terms of connecting with Australian national cinema, “Crocodile Dundee” reinforces the image of Australia as a land of adventure and exploration. The character of Mick Dundee represents the Aussie larrikin spirit, characterized by resilience, wit, and a laid-back attitude. The film’s success both in Australia and internationally highlights how this type of storytelling resonates with audiences looking for escapism and entertainment.

However, it can be argued that “Crocodile Dundee” also perpetuates certain stereotypes about Australia, such as the portrayal of Indigenous Australians in a simplistic and tokenistic manner. The film’s focus on white masculinity and its romanticized view of the outback may limit its ability to fully represent the diversity of Australian culture and experiences.

“The Babadook”: Subverting Horror Genre Expectations

In contrast to the lighthearted tone of “Crocodile Dundee,” “The Babadook” (2014) offers a more nuanced and psychological exploration of Australian cinema. Directed by Jennifer Kent, the film follows a single mother, Amelia, struggling to cope with her son’s fear of a mysterious creature called the Babadook. As the line between reality and nightmare blurs, the film delves into themes of grief, trauma, and mental illness.

“The Babadook” subverts traditional horror genre tropes by focusing on the internal struggles of its characters rather than external supernatural threats. The film uses Gothic elements and psychological horror to create a tense and unsettling atmosphere, challenging audiences to confront their own fears and anxieties. In doing so, “The Babadook” offers a more introspective and thought-provoking take on Australian screen culture.

By subverting genre expectations and delving into complex psychological themes, “The Babadook” contributes to a more diverse and innovative Australian cinema landscape. The film showcases the talent of Australian filmmakers in creating original and compelling narratives that resonate with global audiences.

Conclusion

“Crocodile Dundee” and “The Babadook” represent two distinct approaches to Australian national cinema and screen cultures. While “Crocodile Dundee” embraces the traditional outback myth and larrikin archetype, “The Babadook” challenges genre conventions and explores deeper psychological themes. Both films highlight the diversity and creativity of Australian filmmaking, offering audiences a range of perspectives on Australian identity and culture.

In conclusion, these films demonstrate how Australian cinema continues to evolve and adapt to changing cultural landscapes. By engaging with both traditional tropes and innovative storytelling techniques, Australian filmmakers are able to connect with audiences both at home and abroad, contributing to a vibrant and dynamic screen culture that reflects the complexity of Australian society.